Archive for July, 2007

Revathi and her family

July 7th, 2007
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Man fails to get ruling on wife's detention

By : V. Anbalagan

 
M. Revathi, her husband V. Suresh and their daughter Diviya Dharshini at the Shah Alam High Court yesterday.
M. Revathi, her husband V. Suresh and their daughter Diviya Dharshini at the Shah Alam High Court yesterday.

SHAH ALAM: An express bus driver failed to get a ruling yesterday to declare illegal his wife's detention by the Islamic religious authorities early this year.

The Shah Alam High Court ruled it had no jurisdiction to hear the habeas corpus application by V. Suresh because his wife M. Revathi was no longer under detention.

On Thursday, she was produced before the Syariah High Court in Malacca, which ordered that she be placed under the care of her Muslim parents.

Revathi, whose Muslim name in her identity card is Siti Fatimah Abdul Karim, had been detained at the Baitul Aman faith rehabilitation centre in Hulu Yam Bharu in Selangor since Jan 8.

The couple are from Cheng near Alor Gajah in Malacca.

Suresh, who married Revathi on March 10, 2004, had filed the application in May to secure her release on the grounds that her detention was unconstitutional.

He claimed that his wife was a practising Hindu.

Suresh had named the superintendent of the centre and its authority, the Selangor Islamic Religious Affairs Council, as respondents to the application.

The couple, both 29, were present at yesterday's court proceedings.

In her ruling, judge Datuk Su Geok Yiam said she was allowing the respondents' preliminary objection on grounds that Revathi had been released.

"The law is very clear. The court has no jurisdiction once the subject matter to such application is no longer under detention," she said.

Su said she could not accept the argument of counsel Karpal Singh, who appeared for Suresh, that the court should make a ruling on the application although it had been rendered academic.

"In the public interest, this court should make a ruling, or else cases of this nature will keep recurring in the future," he said.

Mohamed Haniff Khatri Abdulla, who appeared for the centre and the council, said the court had no authority to judge the merits of the case because Revathi was no longer in detention.

He said the Syariah Court had the discretion to issue an order to place Revathi in the custody of her parents and it was not done to frustrate the husband's application in the High Court.

Revathi’s glad to be back home – NST version

July 7th, 2007
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Housewife glad to be back home

source

SHAH ALAM: M. Revathi, the housewife and mother who was released on Thursday after six months' internment in a faith rehabilitation centre, is overjoyed at being reunited with her family.

"The separation was unbearable. I do not want any woman to go through the same ordeal," she said at the Shah Alam High Court yesterday, where she was following a habeas corpus application her husband V. Suresh filed on her behalf two months ago.

The mother of an 18-month-old daughter described her stay at the centre in Hulu Yam Bharu, Selangor, as a sad chapter in her life.

"I really missed my husband and daughter who was then still being breast-fed."

Revathi, whose Muslim name is Siti Fatimah Abdul Karim, said she had always looked forward to seeing them once a fortnight even if it was for a short while outside the centre's gates.

Wearing a red pottu on her forehead to symbolise her marriage to a Hindu, she said she would continue to profess and practise the Hindu faith.

Revathi was detained at the Baitul Aman faith rehabilitation centre on Jan 8.

On Thursday, the Malacca Syariah High Court ordered that she be placed under the care of her Muslim parents.

Revathi said the court had also ruled that she should remain a Muslim.

Recollecting her time at the centre, Revathi said she would be up at 5am and undergo religious programmes until 11pm each day.

"But I was left alone when others performed obligatory prayers five times a day," she said.

She said the other women, including wayward girls, at the centre sympathised with her and comforted her.

Revathi said she cried a lot, especially when she was left alone.

"I looked forward to the day I would be set free," she said.

Her parents had converted to Islam before their children were born. Revathi, the eldest of five siblings, was raised by her grandmother in Merlimau, Malacca.

She met Suresh nine years ago and in 2004 they underwent a Hindu wedding, whereupon she took the name Revathi.

Soon after the marriage, she attempted to change her Muslim name and religion at the National Registration Department but was told to get a certificate from the Syariah Court.

Her misery began when she made the application and the state religious authority obtained a court order to send her to the rehabilitation centre.

Hindu deity in digital art

July 7th, 2007
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By PRIYA MENON

Photos by MOHD SAHAR MISNI 

THE Hindu deity Ganesha, is often depicted as a traditional masterpiece but one Indian artist from Chennai decided to portray the popular Ganesha in abstract works of art. 

"These pieces displayed today are contemporary pieces of a revered god, which you can hang on the wall and not have people stop and pray," said Geetha K, 38, the director of Broken Tusk Gallery. 

Unique: The Doctor Ganesha serigraph based artwork.

The paintings were showcased last Saturday at the Gloal Indian International School by the Broken tusk Gallery in their debut exhibition.  

"When we set eyes on each of those pieces we were truly confident that our exhibition would be successful," said Geetha. 

The artist AP Sreethar, 39, who specialises in sketches, is fond of a digital artwork called Giclee, (pronounced as Zhee-clay) that is prominent in his work. 

"Since it is digital work we can bring down a zero or two on the price," said Geetha. 

"It makes the paintings an affordable luxury." 

Different: Kushi Ganpath depicts nine musically-inclined Ganeshas.

Since Sreethar is a sketch artist he is able to transfer his ideas directly into the computer and which is printed on canvas. Later he perfects the strokes and colours by working over the printed digital work. 

"The Giclee pieces are easy to manipulate, reproduce and to custom design for people,' said Geetha. 

Impressive: The Bala Ganapathy is a sketch of 32 Ganesha incarnations, placed intertwined and supporting each other all the way around, within a frontal image of an elephant. It is a serigraph mixed medium work.

"Personally I find it affordable and people need not shy away from good piece of work because of its price," she added. 

The artist's creativity stands out in many pieces but one particular piece called the Abstract Ganesha is where Sreethar has imaginatively created the elephant-god Ganesha with a rainbow of colours. 

"When I asked him what inspired him to create a piece like that, he asked me, what would it look like if a child spilled ice cream in a splash of colours?" 

That was the base for his inspiration, a simple day-to-day luxury taken for granted like ice cream. 

Besides using Giclee, another method called the Serigraphy is also seen in the works of art. 

Serigaph is a print that uses the silk-screen process. The sketched images of Lord Ganesha are created directly on the screen using a stencil to form the image and to block the areas where paint is not needed. Water-based or oil-based paint is squeezed or brushed through the screen, creating the image on the paper below. 

It is not everyday we see Lord Ganesha all dressed up in a doctor's attire to tend to patients but Sreethar has painted a perfect picture of the respected profession. 

"This serigraph painting is to represent Lord Ganesha in our everyday life and is just a choice from a repertoire of professions," said Geetha.

Ceylonese come together for a night of fun

July 7th, 2007
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Ceylonese come together for a night of fun

A PEACOCK strutted on stage, dancers clad in bharathanatyam costumes danced to Chinese and Malay tunes and a bhangra troupe brought the house down with their energetic performance. 

The more than 400 guests at the Cultural Night-cum-Dinner organised by the Malaysian Ceylonese Congress (MCC) Andalas Branch recently watched the performances riveted and also clapped enthusiastically for Kanagarajan from Agnee Production and his singers who sang for them in Tamil, Malay and Chinese. 

Warm ties: MCC president Datuk Dr NKS Tharmaseelan (right) with Teh after garlanding the latter at the start of the MCC Andalas Cultural Night cum Dinner held recently.

The food, ambience and entertainment at the New Palm Grove Restaurant at Jalan Meru, Klang, had guests in a mellow mood and the performers, like Dennis from the Nadesha Dance Academy, gave their best. 

The fusion music performance by the young troupe from Maestro also captured the interest of the guests. 

Their showcase of skills on the tabla, flute and other instruments plus their rendition of a Chinese and Malay song using the traditional instruments was a delight to the ears. 

The guest-of-honour that night was Pandamaran assemblyman Datuk Dr Teh Kim Poo and in his speech he praised the MCC Andalas branch for organising an event that displayed the country's rich cultural heritage.

Rais waiting for Indian community recommendation – National Heritage listing

July 7th, 2007
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Dr Rais said he was now waiting for recommendation of cultural practices from the Indian community to be included in the list. 
 
any idea who is in charge of providing the recommendations for the indian community?

Parliament and Batu Caves among 50 national treasures on heritage list
 
By IZATUN SHARI

KUALA LUMPUR: The Parliament House, Batu Caves, St George Church in Penang, Selangor Chinese Assembly Hall building and the lion dance on a pole have now something very important in common – they are all considered national heritage.  

Roaring tradition: The lion dance on a pole being performed outside the Parliament House. Both the dance and the building have been declared as part of our national heritage

They are among the 50 things (18 buildings, 20 objects and 12 cultural practices) that were granted such status in conjunction with the country's 50th Merdeka celebrations. (See graphics for full list) 

Culture, Arts and Heritage Minister Datuk Seri Dr Rais Yatim said the ministry had looked at 500 things, but currently, it only conferred the national heritage status to 50. 

"Today, the lion dance on pole which originates from Malaysia and not from China, has been declared a national heritage.  

"We should all be proud of it," he told reporters at the declaration of the 50 national heritage and the launch of national heritage register. 

He said with the declaration as stipulated in the National Heritage Act, Malaysia now joins countries such as Britain, the United States, France, Germany and Australia as having legislation to protect their heritage. 

Dr Rais said he was now waiting for recommendation of cultural practices from the Indian community to be included in the list. 

Asked whether Baratanatyam dance could be included in the list, he said: "It is not a problem. It is one of the foremost dance which has been performed by various sectors.  

"Classical Indian dancer, Ramli Ibrahim has performed it worldwide. 

"The only thing is that we would like the dance to be localised by the Indian community. If that is done, I will forward the suggestion that it be included in the list."